Caroline Polochak will surprise in the new song “Billions” – Washington Square News

Read about this week’s most famous singles by Father John Misty, Alexander 23 and others.

Caroline Polochak released her latest single “Billions” on the same day as she started touring with Dua Lipa – it is said to have a full plate. And love it or hate it, Ed Sheeran is back with an irresistible, tried collaboration with Taylor Swift. Read on.

“Billions” Caroline Wand

Isabella Armus, Deputy Art Editor

In Caroline Polochak’s new mystical epic “Billions”, the artist transfers her exciting vocal range and the brand’s bright staging in a more grandiose direction. Polachak, fluttering between octaves and glittery refrains, sings “Sexting, Sonnets / Under the Tables” and a figure who “Lies like a sailor / But loves like a painter”; her vocal control is reminiscent of both an opera starlet and a modern Bjork. The five-minute performance of the song sounds like a glazed soundtrack – trying to both enchant and embarrass – and no section sounds like another. The track closes at a high level when guest vocalists, Croydon’s Trinity Choir, repeat “I never feel so close to you” at the last minute, enveloping the track with a final burst of lavish drama. Although these sound elements could be made with a heavy hand, the aesthetics of Polocek’s art-pop aesthetics are well-oiled and easily fulfill the affective promises of their environment. This suggests that her sound still has great untapped potential and could reach new heights in future releases.

“Q4” by Father John Misty

Holden Lay, full-time writer

Father John Misty dumps his usual guitar piano on the baroque folk “Q4”. The brave harpsichord serves as a perfect compliment to his high vocals when he sings: “Simona writes little love, many consequences / To the theater is not the way you pay rent / A new work of some half-memoir sits / In the edition of the book on the weekend desk.” His satire skillfully crosses the line between an appealing and a pretentious inner joke. However – due to the optimistic tension of the production on this track – there is a strange sincerity, which he usually restrains. Although Father John Misty’s lyrics are as tortuous and very funny as ever, this is definitely due to the more melodic pop side of his songs. “Q4” is much simpler than his previous single – the distorted orchestral torch song “Funny Girl”, but together they signal a grand and exciting sound for his future album “Chloë and the Next 20th Century”. After the esoteric and gloomily surreal “Beloved Customer of God” 2018, it’s interesting to see how Father John Misty has released the same sparkling, chic and infectious song as this one.

“Hate me if it helps” Alexander 23

Yas Akdag, music editor

In “Hate Me If It Help” Alexander 23 is as ambitious as before. The songwriter, co-written with Dan Nigra and Olivia Rodrigo, is remarkable, combining the romantic feelings of Alexander 23 and Rodrigo’s youthful inclinations to create a song full of modern detailed narrative. “I wonder if your therapist likes me / I think it depends on how much truth you tell her,” Alexander 23 sings to light guitar knocks. However, don’t fool yourself – the chorus is huge, with punk starts with guitars like punk and cymbals. Somehow the bridge is even more massive, consisting of a wonderfully fresh chord sequence and super-specific, caustic lyrics – “I’m sorry I paid for your SSRIs / For making you happy, I apologize” – over which Rodrigo wrote. His first single after the 2021 EP “Oh No, Not Again!”, “Hate Me If It Helps” showcases the rise of Alexander 23 and hints at a new musical style.

“The Joker and the Queen” by Ed Sheeran with a feat. Taylor Swift

Candice Patrick, full-time writer

Taylor Swift joins Ed Sheeran in a remix of his track “The Joker and The Queen,” turning an already soothing song into a duo even more like a lullaby. A metaphorical card game is played out between them as they reflect on a vulnerable love story. Sheeran sings almost in a whisper: “And I know that you can fall on a thousand kings / And hearts that will give you a diamond ring / When I compose, you see the best in me / Joker and Queen”, conveying the sweet feelings of unequivocal love. The first two verses are supported by a subtle piano melody, but after Swift’s entry the staging increases slightly, adorning the song with echo-like harmonies and symphonic strings. The accompanying music video also serves as a nostalgic clock featuring the same child actors – now teenagers – from the clip “Everything Has Changed”, the couple’s first collaboration in 2012 for Swift’s album “Red”. The two songwriters are longtime friends and often team up to produce top hits – this magical release is another addition to the growing list of collaborationss. Simply put, “The Joker and the Queen” is a royal flush.

“Valentine” by Lawfei

Brian Savino, author-writer

Lovefey’s new single, “Valentine,” brings youthful energy to classical vocal jazz. She poetically sings about her new love – including comedic jokes about what she happened to call him beautiful – while reflecting on her own uncertainty about the future, familiar to many listeners of reality. Laufi backs up his vocals with soft guitar sounds, casual jazz piano and polyphonic backing vocals, giving Valentine a refined aura while keeping her young and vibrant. With this single, Lovefey continues to transform the smooth jazz of the past into something accessible to a new generation of listeners.

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